“Without Me” has the same appeal as each song seems to bounce along gently.
#ANOTHER ONE MAC DEMARCO ALBUM FREE#
“A Heart Like Hers” owns a nostalgic feeling that is both honest and free as simplistic guitar leads tip-toe around a wooing synthesizer. Cooing vocals and loose guitar makes even the dingiest DeMarco song seem clean and refreshing. With some added melodic fuel, the Canadian-native drops life into the slower tracks. Backed by a steady bass line, calming vocals, and a somber touch of keyboard dances through the song, creating a gloominess not always so common to the DeMarco discography. “trying so hard to believe in something that will never be” as Mac moans an emptiness of existence on the title track, “Another One”. That being said, Another One definitely is similar, but one thing that separates itself apart is the use of drowning arcade-like keyboards that contribute a haunting tone to the mini-LP. “ The Way You’d Love Her” picks up right where Salad Days left off lackadaisical hooks and the youthful attitude of DeMarco’s signature songwriting style dominate the record. The eight-song “mini-LP” owns the typical joyful quirkiness of it’s predecessors, but with a dash of darkness. Recorded in his New York apartment, you feel at home with melodic songwriting and romantic forget-me-nots. It does not store any personal data.Label: Captured Tracks Short and sweet is Mac Demarco’s Another One. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. Tex Crick First Artist Signed to Mac’s Record Label Debut Album, Live inNew York City, Out March 26th. Tex’s debut record Live InNew York City is out on March 26th via Mac’s Record Label. The cookie is used to store the user consent for the cookies in the category "Other. Shot by Tex and Mahne Frame, check out the video below. The cookies is used to store the user consent for the cookies in the category "Necessary".
The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. It feels oddly like a step backwards, rather than the strong, decisive move into the future that it should be. It just lacks a sense of freshness a sense of experimentation.
It would be very wrong to imply that Another One is anything other than a pleasurable listen. It’s the freshness of the track that ultimately impresses more than anything else.
It’s a touching move, and another reason to like an eminently likeable man, but more than that, it’s something we genuinely haven’t seen from the man before. Indeed, the most exciting track is the last one, My House By The Water, on which DeMarco gives his address and encourages fan to stop by for a cup of coffee. Tracks like No Other Heart feel so indebted to that release that it’s almost as though DeMarco is shrinking into himself, moving in ever narrower circles towards a point that looks astonishingly and worryingly like mundanity. Not to imply that DeMarco isn’t open to adding the bitter to the sweet, however a prevailing sense of love lost dominates Another One, from the chorus of the titular track (“Who could that be knocking at her door/Must be another one she loves”) to the gentle but emotive strains of Without Me.īut again, this melancholy is a part of DeMarco’s DNA, and a side of himself he showed off just as openly on Salad Days. ‘Jizz-jazz’ is the name DeMarco invented to describe his style, and it gives a good indication of the playful, relaxed quality to songs like The Way You’d Love Her and A Heart Like Hers. Though the man’s distinctive sound is what won him his legion of fans in the first place, over the course of the record’s eight songs one gets the distinct feeling that this is ground that has been covered too many times before. Though, as ever, DeMarco charms throughout, he never seems confident enough to truly exert himself, and ultimately the songs sound like B-sides to the tracks featured on last year’s masterful Salad Days. Another One, the new record from Mac DeMarco, is characterised by a crushing sense of deja vu.
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